March 2017

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(c) Mandy Williams, 2016

I was happy to find out this week that one of my Sea Level photographs has been shortlisted for exhibition this summer – finger’s crossed that it makes it through!

I am still spending quite a bit of time in Sussex at my father’s house and have been collecting more photographs for the Fairways series while I’m there. Following the surprise 3rd place win in the International Photographer of the Year award I was asked to write about this work for a photography publication which should be coming out at the end of this month. It was difficult to write about this series for many reasons but finally I felt the text accurately reflected the work and its process.

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(c) Mandy Williams, 2017

I will also be taking part in a group exhibition in the North of England which opens in April, more info to follow.

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February 2017 (2)

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A quick additional post for February as I found out earlier this week by surprise that I had won 3rd prize in the Architecture Interior category of the International Photographer of the Year Awards. I’d submitted photographs from Fairways, a series I’ve been taking at my father’s house in Sussex. I know my Dad would be amused to think pictures of his house had won a prize, but he was always so supportive of me I’m sure he would also have been very happy.

I was also pleased to find out from Visual Aids in New York that my postcard image had been sold at the Postcards from The Edge benefit at Metro Pictures. I’ve contributed to this fundraiser for several years and it’s always great to hear that the piece has sold.

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February 2017

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January went by so quickly I forgot to post any updates. At the end of the month I once again contributed a postcard to the annual ‘Postcards on the Edge’ Visual Aids benefit in New York. This time the event was held at Metro Pictures.

Four of my photographs were included in Halo Lit, a print publication for women’s fiction, featuring international writers. The editor had approached me last year about contributing some images and she chose four (two of which are shown above).

At the start of this month I had a meeting with a curator to show some of my work for a potential solo exhibition in 2018.

I’ve been continuing to build up images for a particular series, but have also been planning another project, quite different work. This wouldn’t start until the end of March at the earliest because of time commitments, but am conducting research in the meantime. Look forward to being on location again.

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December 2016

Last month my short article about Paris Photo was published in three photography blogs. Wobneb Magazine, edited by Cary Benbow in the USA, had the longer version and can be seen here. A slightly different version was published on photographer Elisabeth Blanchet’s blog, The Accidental Photographer and a shorter look at Paris Photo was published on UK photography blog, Fleur and Arbor, run by Jasmine Farram and Olivia Newstead.

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At the start of December, the SALON/16 exhibition opened at Photofusion in Brixton and I was pleased to have one of my Unseen Landscape photographs included in the show. I went to the opening which was incredibly busy and it was great to see all the work by other members of Photofusion. The show continues until 28 January 2017.

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I also recently heard that some photographs that I shot over the summer will be featured in a print magazine. I really admire the publication and the photography they have featured so far, so am looking forward to seeing this issue next year.

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November 2016

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From Frame  (c) Mandy Williams

Early in November, Plateform Magazine, an online photography publication from France edited by Laurence Guenoun, published their new issue which included 20 images from my Frame series – the first time a significant number of these have been published. I was happy to be featured – there was a lot of interesting work by international artists in this issue.

On 9 November I travelled to Paris to attend the Press View of Paris Photo at the Grand Palais. The viewing was from 5 – 9pm so I had time to see some other exhibitions before it started, including Todd Hido at La Galerie Particulière and Antoine Agata at Les Filles du Calvaire. It was the first time I had visited Paris Photo and I really enjoyed the experience.  It was a chance to discover some new galleries and find out about the artists that they represent. I am writing about it for a few blogs and will post links next month.

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On 15 November, the London Independent Photography annual exhibition opened at Espacio Gallery in Shoreditch and it finishes on Sunday 20 November.  The show was selected this year by Max Houghton (Senior Lecturer in Photography at London College of Communication), Melanie King (curator and founder of London Alternative Photography Collective), and Michelle Sank (Senior Lecturer in Photography at Falmouth University).  I have a couple of Unseen Landscapes in this show, which are also included in the exhibition publication. The private view was busy with work by 48 photographers. Fleur and Arbor’s Jasmine and Olivia came to the opening and wrote about it here.

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I have also had news that work has been selected for a show opening in December so will write about that next month.

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October 2016

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At the end of September I found out that my two photographs had made the final selection for the RWA Open Exhibition in Bristol and I went to the opening in early October.  It was a busy event and it was good to catch up with three of the artists who were also  Academician candidates last year.

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Shortly after, I was happy to find out that I had two photographs from the Unseen Landscape series selected for the London Independent Photography annual exhibition, which will take place during Photomonth at the Espacio Gallery, London. The show will run from 14 – 20 November.

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Two other photographic series/studies came to an end in early October. One had been created over a period of 7 weeks while I was frequently visiting West Sussex, and the other – the Sea Level series, which began at the end of last year – also came to an end. I am going to spend the next few months reading and researching a new project to begin in early 2017.

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September 2016

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At the end of last month Iain Sargeant from Another Place magazine asked to publish some of my work from Unseen Landscapes and it came out in early September. You can see it here. I love Iain’s photography and the work that he publishes so was very happy to be featured.

I am currently shortlisted for two exhibitions. The photographs I put forward are from different recent bodies of work – one which has never been shown before.

I have also just signed a contract with a French magazine who wish to publish some work and hopefully this will be within the next month or two. I’m excited about this because it will be the first time a selection of images from this series is published.

While my project is on hold, I have been continuing to photograph in Sussex and a couple of different themes have emerged. One is the sea level series which I have been adding to over the past month.

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All images (c) Mandy Williams

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Summer Sale

Every year I have a summer sale to help with autumn production costs and this year I’m offering 3 different prints for sale at 8×10 inches each. Small editions and small prices! The photographs are: Beach (2016); Riverbed Stories #26 (2014); and Black river (2015). Each photograph is printed on Canson Baryta paper, signed and numbered, each in an edition of 10 and for sale at £50 + postage. Prints comes with certificate. Contact me at mandy@mandywilliams.com if interested! Sale ends 31 August. Larger prints are available in smaller editions – prices on application.

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August 2016

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Last month some of my photographs from Unseen Landscapes made the longlist for the CHARLIE SMITH LONDON ANTHOLOGY 2016 prize. 40 of us were longlisted – it’s always highly competitive (last year there were 900 submissions) – so I was happy to have got that far, particularly as photography was not widely represented.  The judges were Philly Adams (Senior Director, Saatchi Gallery), Zavier Ellis (Director, CHARLIE SMITH LONDON), Stephanie Grose (Collector), Andrew Salgado (Artist) and Heike Strelow (Director, Galerie Heike Strelow). The exhibition is currently on at the gallery – well worth seeing.

Since mid July I have been photographing in different locations for the start of a new series. I am not posting any of these images yet, but while I have been pursuing this project I have also been adding to work that started when I was shooting the Frame video at the end of 2015/early 2016. I’ve added some of these images to my website.

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All images (c) Mandy Williams

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July 2016

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Just a quick post to share some photos from my exhibition, River Stories Unseen Landscapes, at Gallery 7 – Pie Factory, Margate.

The show ran from 17 – 22 June and was a great experience. The Pie Factory is in the centre of the old town, so on the radar for local people and visitors. I was surprised by the number of people who saw the show and had some wonderful conversations with local artists and friends, Londoners visiting Margate for the day and visitors from Europe. A lot of creative people are drawn to the area, not just for the Turner Contemporary. There are plenty of artist studios and interesting projects – I hope to get down again later this month.

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Travelling to Kent during the exhibition gave me time to develop some existing ideas. I have been planning a project for a while and this month will be able to shoot in different locations and see if the project can work. Time to move on!

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