reviews

“Evocative ... Williams' way of portraying this idea is canny and effective"
Aislinn Leggett, Slightly Lucid, Montreal May 2011

“House 6 is a compelling and powerful image ... You can attach a meaning on many levels"
Irena Czapska, Spike Print Studio, Printmaking Today Spring 2011

“Moments and places of tension because the characters in her work take risks to get there"
Sally Trash, Lola Magazine, Toronto Winter 2001/02

One of 5 world-wide exhibitions recommended by London, U.K.'s GalleryChannel.com
October 4 - 11 2001

Included in Canadian Art Magazine's Fast Forward cross-Canada guide to the season's best exhibitions
October 2001

“A striking portfolio.  Premise of the family series is compelling and timely … excellent work”
Aperture Foundation  New York  August 2000

“Imaginative sensibility … sensually and psychologically intriguing”
Paula Gustafson, Asian Art News  Nov/Dec 1998

“Extremely compelling new works”
Michael Scott, Vancouver Sun  September 24 1998

“Williams’ theme takes on a stunning force … haunting look at the family home”
Mary Frances Hill, Westender  September 10 1998

“Compelling and intense”
Paula Wild, The Record  Comox Valley   April 1998

Included in Canadian Art Magazine’s Fast Forward cross-Canada guide to the season’s best exhibitions
June 1997

“Images play with the tension between mechanical processes and hand-rendered art, and the effect is, both interesting and quite beautiful”
Gillian MacKenzie, Dept. of Special Publications, The Metropolitan Museum of Art, New York May 1996

“Goes beyond the photographic process to create a whole new genre of image”
Marilyn McEwen, Camera Canada  Summer 1994

“A unique body of work … earned her exhibitions, awards and a respected position in the fine arts community north of the border”
Photomedia  Seattle   Sept/Oct 1994